Vesuvius Blows, But Pompeii Doesn’t

Here’s the last thing I ever would have expected out of Pompeii, that sword-thrust of 3D gladiator-vs.-volcano madness coming right at your disbelieving eyeholes. An hour or so in, when Vesuvius exhausts its portentous rumblings and blows its top (3D!), I legitimately wasn’t ready. Yes, all that third-act destruction is…

Lit-Class Sex Thriller In Secret Shouldn’t Be Kept to Yourself

Almost a pop history of Western culture’s relationship to female orgasm, Charlie Stratton’s In Secret is a spirited zip through Émile Zola’s Thérèse Raquin, a sex-and-sin morality tale of the sort that has been the template for the past decade of Woody Allen dramas. Unlike those, In Secret boasts vigor…

The Four Good Things in I, Frankenstein

There are four good things we can say about I, Frankenstein, another muscles-and-rubble comic book adaptation just un-terrible enough not to alienate its core audience, yet never consistently grand or surprising enough to win over anyone else. First, Aaron Eckhart brings it, scowling like a champ beneath his jigsawed scar…

The Dreary 47 Ronin Falls On Its Sword

Solemn as a funeral march, humorless as your junior high principal, as Japanese as a grocery-store California roll, Keanu Reeves’s let’s-mope-about-and-kill-ourselves samurai drama has exactly three things going for it. First, the cockeyed sensuality of Rinko Kikuchi as a spider-puking evil witch who can transform herself into a fox, a…

How Ralph Fiennes Brought His Marvelous Invisible Woman to the Screen

If you’re a person alive in this age, Ralph Fiennes has at some point probably made you hate him. As the Nazi Amon Goeth in 1993’s Schindler’s List, Fiennes embodied one of history’s great evils, somehow making being utterly detestable compelling. In Martin McDonagh’s riotous, under-regarded In Bruges, Fiennes spat…

Paul Walker Gets Harrowed in the Gripping Hours

The late Paul Walker practiced the kind of manly American acting that often doesn’t look like acting at all. In movie after movie, many of them of the fast and/or furious variety, Walker performed the difficult trick of seeming to really be the apple-pie tough guys he played. In those…

Redford’s All Is Lost a Genuine Nail-Biter

The title All Is Lost promises despair, especially with Robert Redford looking so stolid and weathered and still-got-it golden on the poster. Could this near-silent, you-are-there survival story be another of Redford’s yawps of boomer gloom? Another complaint, like The Company You Keep, about the realization that the world we…

Here’s Everything Wrong With Ender’s Game

It’s almost a relief that Ender’s Game has turned out to be a glum bore onscreen, a far-future cadets-in-space military drama whose pretensions to moral inquiry boil down to the guilt a kid may feel after stepping on an anthill. If the film had turned out grand, like the best…

The Fifth Estate Never Puts Julian Assange Into Focus

Being a sensible person, you’ve probably taken a liking to Benedict Cumberbatch — the actor, Dickensian beanpole, and banana-fana name-game destroyer who has lately played everyone literate geeks adore: Sherlock, Smaug, Kahn. And, as a sensible person, you probably were curious — even heartened — to hear Cumberbatch would appear…

Wadjda Is a Simple, Solid, Affecting Film

Like all kid protagonists in movies, Wadjda’s Wadjda wants one pure thing so much that the very concept of want shades into need. If this plucky Saudi Arabian girl (played by preteen Waad Mohammed) doesn’t get a bicycle, it seems, some fundamental quality of hers might not survive her adolescence…

Valentine Road is a Great, Urgent Doc About the Murder of an LGBT Teen

Perhaps the best and worst thing about young teenagers is that they’re capable of what George W. Bush fans used to call “great moral clarity.” In HBO’s sure-to-make-you-bawl documentary Valentine Road, Aliyah, a student at E.O. Green Junior High School in Oxnard, California, breaks down the differences between gayness and…

The Patience Stone Lays Bare the Heart of an Afhan Woman

Starring Golshifteh Farahani. Written and directed by Atiq Rahimi. 102 minutes. Not rated.Atiq Rahimi’s slender, wrenching novel The Patience Stone lays bare the heart of a devout Afghan woman, a Muslim who shields her face from her community and her truest self from her husband, a jihadist hero many years…

Michael Cera Gives a Great, Drug-Addled Performance in Crystal Fairy

With an offhand precision that suggests he might prove one of his generation’s major actors, Michael Cera lays bare two specific human weaknesses in writer/director Sebastián Silva’s altered-states/group dynamics road drama Crystal Fairy — weaknesses you’ll likely recognize from life rather than from other movies. The first is the pushy,…

Salinger Would Make Holden Caulfield Puke

“If they made a movie, Holden wouldn’t like it,” Martin Sheen opines deep into the new documentary Salinger. He’s speaking of the possibility of a film adaptation of The Catcher in the Rye, a disastrous idea that J.D. Salinger prevented in both life and death. Sheen, of course, could be…