Film, TV & StreamingUnchained Malady: Quentin Tarantino Emerges From a Chaotic Couple of Years With His Most Ambitious Film to Date. Will the Academy Really, Really Like It? By Karina Longworth
Film, TV & StreamingExtraordinary “The Loneliest Planet” Explores Sex and Gender Murkiness By Karina Longworth
Film, TV & Streaming“Killing Them Softly” Movie Review: Crime Is Just Business in Obama’s America By Karina Longworth
Film, TV & StreamingSadly, “Hitchcock,” Starring Anthony Hopkins and Scarlett Johansson, Bears the Influence of Reality TV By Karina Longworth
Film, TV & StreamingMostly Cloudy: Looking for David O. Russell in Silver Linings Playbook By Karina Longworth
Film, TV & StreamingPuppets and Starlets: Sean Baker’s Latest Film Foes Inside the Porn Biz By Karina Longworth
Film, TV & StreamingGetting Someplace: In Middle of Nowhere‘s L.A., Real-Life Flourishes By Karina Longworth
Film, TV & StreamingMeet the Monsters: From Toronto, a Glimpse of This Year’s Most Bracing Films By Karina Longworth
Film, TV & StreamingCosmopolis: Robert Pattinson’s Latest Film Limos Through the Mind of a Master of the Universe By Karina Longworth
Film, TV & StreamingCeleste and Jesse Forever Is Too Scattered to Transcend Its Genre By Karina Longworth
Film, TV & StreamingRaise a Finger: Even China Can’t Shut Up Artist/Gadfly Ai Weiwei By Karina Longworth
Film, TV & StreamingIn “Trishna,” Michael Winterbottom Takes Hardy’s “Tess” to Today’s Mumbai By Karina Longworth
Film, TV & Streaming“Savages,” Oliver Stone’s Drug-Trade Drama, Settles for Sensation By Karina Longworth
Film, TV & StreamingIn “Safety Not Guaranteed” and “Lola Versus,” Love Doesn’t Mean an Insult to the Audience’s Intelligence By Karina Longworth
Film, TV & Streaming“The Dictator” Movie Review: More Sacha Baron Cohen Yuks Than Comedy Revolution By Karina Longworth
