The novel Be Cool, written by Elmore Leonard in 1999 while the ink was still wet on the publisher’s advance, existed only because the beloved writer of seedy thrillers and Westerns knew it was guaranteed gold — the sequel to the 1991 hit novel Get Shorty that, in 1995, became…
At first (and second and maybe even third) glance, it’s all so familiar: Keanu Reeves shrouded in a black trench coat that flaps behind him like a superhero’s wings, moving between a real world used as a battleground, breeding ground, and playground for higher beings amused and appalled by the…
One should expect little from the man who has directed an Olsen twins movie (It Takes Two, the one with Steve Guttenberg, no less), Matthew Perry’s first Friends-to-film entry (Fools Rush In, its title an apparent nod to audiences who went to see it), and Sweet Home Alabama, one of…
Assault on Precinct 13, the sluggish remake of John Carpenter’s grungy 1976 movie of the same name, begins with a bang to which it never lives up. In a smoky den of all manner of iniquity, Ethan Hawke’s trying to close a drug deal. With his girl splayed out on…
Paul Weitz, with brother Chris, co-wrote and co-directed 2002’s adaptation of Nick Hornby’s novel About a Boy, in which a cocky grown man (Hugh Grant) learned how to actually act like a grown man by observing a gawky young boy (Nicholas Hoult) who was nearly abandoned by his suicidal mother…
The story is simple enough: Sometime during the dying days of the Tang Dynasty in China, though it could really be any time and any place, two cops named Leo (Andy Lau) and Jin (Takeshi Kaneshiro) sit in a station house drinking tea. They decide one of them will go…
The critic who takes notes during The Life Aquatic with Steve Zissou will ultimately fill a notepad only with scribbled details: “All the crewmen wear red stocking caps with their tuxedos,” “some names of Zissou’s movies: The Battling Eels of Antibes, Shadow Creatures of the Lurisia Archipelago, Island Cats!,” “one…
In Spanglish, which is less a story than a snapshot of a crumbling marriage populated by sitcom characters, Adam Sandler plays John Clasky, an average man with an above-average life. With his burgeoning double chin always covered in a slight shadow of stubble, he’s a celebrated chef who runs his…
Jerry Bruckheimer has always insisted he cares less about critical acclaim than commercial appeal. “We make movies for the common man,” he said almost three years ago, as Black Hawk Down was crash-landing in theaters. “The pictures that I’ve made over the last 20 years or so have been very…
Before he made Primer for some $7,000, Dallas software engineer turned writer/director/actor/editor Shane Carruth had no idea how to make a movie. Some who see his creation will argue he still doesn’t, while others will lavish upon it hearty praise reserved for visionaries who leap from the shadows to the…
The most shocking thing about Kinsey, the first film from writer-director Bill Condon since 1998’s Gods and Monsters, is how shocking it actually is. Within the confines of a standard biopic (A Beautiful Dirty Mind, you might call it), Condon refuses to play it straight — which is only appropriate,…
A week after having seen Bridget Jones: The Edge of Reason, no memory of it remains save some scribblings in my notepad, such is the slight nature of this woeful, forgettable sequel. Squandering the goodwill that lingers from the original, now a beloved relic among the singletons and smug marrieds…
There are at least three movies contained within the covers of H.G. Bissinger’s best-selling 1990 nonfiction book, Friday Night Lights. One is concerned with the socioeconomic life of a small West Texas town built on the wobbly foundations of oil and racism and the out-of-whack worship of a high school…
Shark Tale is an animated film, though after you see it, you might wonder whether the term is intended as oxymoronic. Put simply, it has no life in it at all. Not even the kids roped into an afternoon preview screening seemed terribly interested. Perhaps they’ve grown tired of computer-made…
Silver City is being marketed as a biting, bitter send-up of George W. Bush. Hence the copious use of trailer footage in which Chris Cooper, as Colorado gubernatorial candidate Dickie Pilager, stumbles over simple sentences, dodges reporters’ questions with mindless macho explications (“My message to the criminals is this: You…
A good friend likes to say that there’s only one kind of great pop song — the song that someone had to create, as though the writer and performer had no choice. The song can be corny or cynical, upbeat or downhearted; it doesn’t matter. All that counts is that…
Perhaps the most unlikely thing to capture on film is the creative process — the spinning of gears, the tripping of wires, the breaking of hearts, and the snapping of tempers that goes into the making of art. Movies about writers and painters and musicians seldom collapse the barrier between…
Jonathan Demme’s gutsy The Manchurian Candidate, which dares to rear its head just as the Democratic National Convention convenes in Boston, is the anti-Bush administration movie for those who refuse to see Michael Moore’s Fahrenheit 9/11 or Robert Greenwald’s Outfoxed because, well, they just ain’t Right. It’s less a remake…
Anchorman, co-written by its star, Will Ferrell, plays like a series of outtakes strung together more or less in random sequence. There’s a vague plot, about the fall and rise of a San Diego newsman whose polyester suits are brighter than he is, but this doesn’t propel the movie forward…
All you need to know about Spider-Man 2 is revealed in the opening credits, in which comic-book artist Alex Ross recaps the 2002 original in lovingly, lavishly painted panels. Spidey and Mary Jane Watson are once again entangled in that now-iconic upside-down kiss; nutty Norman Osborn, out of Green Goblin…
You might think that with the technological advances in moviemaking since 1956, this new version of Around the World in 80 Days would at least look better than its predecessor did. You could not be faulted for believing you’d be wowed by the Rube Goldberg gadgets of inventor Phileas Fogg,…
Directed by Andrew Adamson & Kelly Asbury and Conrad Vernon. Written by Andrew Adamson, Joe Stillman, and J. David Stern & David Weiss. Starring the voices of Mike Myers, Eddie Murphy, Cameron Diaz, and Antonio Banderas. Rated PG.
