Anyone who would insist that movie reviewing is not a real job (‘Sup, Mom) hasn’t been forced to sit through screenings of Bewitched and Herbie: Fully Loaded in the span of five days — and by forced, I mean either you see both movies, write 800 words about each, or…
For all their exceptionality, there is also a numbing sameness to the movies of Hayao Miyazaki, the revered animator who has bewitched Japanese audiences since the late 1970s and bewildered American ones since 1999, when Princess Mononoke was among the first of his movies to receive significant stateside release. There…
DC Comics has kept its superheroes locked in a fortress of solitude for almost a decade, forcing the likes of Superman and Batman to warm the bench while long-time rival Marvel Comics’ Spider-Man and the Hulk and the X-Men and Blade galloped up and down the playing field. Not counting…
Los Bros. Gallagher return after their Heathen Chemistry produced not a banging wallop but a fizzling so-what. Perhaps it was their master plan all along to lower the bar and then leap over it when no one was expecting it, unless they were making bad records on purpose, in which…
Lords of Dogtown is an odd, disorienting commodity — a fictional version of a documentary (Dogtown and Z-Boys) about the birth of skateboarding in 1970s Venice, California, that was written by the man who directed said doc, in which he was a central figure. Stacy Peralta, whose Dogtown and Z-Boys…
There was no reason to expect much from Cinderella Man, Ron Howard’s biography of boxer James Braddock, who in the summer of 1935 became the most unlikely heavyweight champion in the history of boxing. After all, it’s a true tale whose outcome has been predetermined; surely there could be no…
It’s fair to say that Madagascar, directed by one man who made Antz and another who used to work on Ren & Stimpy, is virtually plot-free — nothing more, really, than a scene or two from The Great Escape cut and pasted into an episode of Survivor. Its threadbare storyline,…
Adam Sandler cast as a former pro quarterback — that laughable setup is about the only funny thing about this pointless, witless remake of The Longest Yard, which wasn’t intended to be taken as a comedy in 1974 and won’t be mistaken for one in its latest incarnation. (It was…
It’s a question to which the response should be more than a shrug, but it’s the only thing I can offer anyone who asks, “So, how was it?” The final installment in the mostly irrelevant second Star Wars trilogy is far superior to its immediate two predecessors, The Phantom Menace…
It is no great joy to review Palindromes, the latest film from writer-director Todd Solondz, who is loved by those who do not loathe him for such movies as Welcome to the Dollhouse, Happiness, and Storytelling. Advance word had Palindromes as Solondz’s most shocking film, which seemed impossible, given its…
Much of Crash, an L.A.-stories portmanteau about the suffocating embrace of racism, is hard to watch, harder still to listen to. Its characters — the creations of co-writer and director Paul Haggis but also of people who live next door and perhaps even inside of you — say and do…
Author Douglas Adams died at age 49 on May 11, 2001, of a heart attack suffered during a workout at a Santa Barbara, California, gym. His biographer, M.J. Simpson, blamed Adams’ demise in part on his unending battle to get The Hitchhiker’s Guide to the Galaxy on a big screen,…
Among the many mysteries surrounding The Interpreter is the one that finds Sydney Pollack heralded as a major American director, a maker of serious and important movies. His filmography, marked by mawkish mediocrities (Out of Africa, as vibrant as a coffee-table book; The Way We Were, its romance as plausible…
Sahara is a stunning piece of work — stunningly inept, stunningly incoherent, stunningly awful in every single way imaginable. How this didn’t go direct to video or cable or airplane or bootleg is unfathomable. Actually, that’s not entirely true. It gets a proper blockbuster theatrical release through Paramount Pictures because…
Best I could tell from months of listening without a lyric sheet — thank you, Internet — this second disc from the kin of itinerant evangelist Leon Followill had something (OK, everything) to do with fuckin’. You could hear it in singer Caleb Followill’s delivery, the greasy whine of the…
Damian Cunningham has the face of an angel — calm and cool blue eyes perched above freckled cheeks and a benevolent grin — which is appropriate for a 7-year-old boy who speaks with the late, great saints, among them Peter, Joseph, Claire, and, of course, Francis of Assisi. Damian sees…
A spin-off of a sequel, Beauty Shop plays like most Hollywood comedies these days — as tepid sitcom, benign product, and cynical afterthought. If last year’s Barbershop 2: Back in Business was little more than a dilapidated retread of the charmingly lightweight 2002 hit Barbershop, consider this incarnation condemned for…
If nothing else, Robert Rodriguez’s Sin City, co-directed with Frank Miller (and Quentin Tarantino, for a few seconds), will be remembered as the most faithful comic-book adaptation ever put on film (or high-def video, anyway). Rodriguez uses Miller’s hypernoir serial, published over a ten-year period, as a storyboard for the…
Before we walked out the door to see Miss Congeniality 2: Armed and Fabulous, a colleague sneered, “Why do you even bother with that shit?” It’s a question one’s tempted to ask of its star, Sandra Bullock, as well. (Surely, our answers would be the same: The paycheck, pal.) Hers…
Better than I thought it’d be” was the refrain repeated by those exiting the preview screening of Guess Who, which doesn’t mean much — freebie audiences expect nothing and usually receive it. But in this case, it neatly summed up the experience of catching Ashton Kutcher in a part once…
The Upside of Anger belongs to Joan Allen, who plays Terry Wolfmeyer, a wife abandoned by her husband and left to pick up the pieces and collect them in a giant bottle of vodka. Terry’s is the cold, composed visage of a woman struggling to keep it together; through her…
Based on the success of their TV work, beloved among those who swim in the deep end of bongwater, Lennon and Garant have done considerable rewrite work on scripts considered not funny enough; among others, they’re said to have added to Starsky & Hutch the scene in which Ben Stiller…
