Pee-wee’s Big Friendship: Paul Reubens Talks Phil Hartman (and More)

The Pee-wee Productions logo that kicks off the new Netflix film Pee-wee’s Big Holiday trumpets comedian-turned-actor Paul Reubens’ comeback as the formerly ubiquitous man-child. Forget about The Pee-wee Herman Show, Reubens’ fan-service-intensive Broadway extravaganza. Big Holiday (which premieres March 18 on Netflix) plays like an un–self-conscious continuation of the character’s…

Israeli Doc Rabin: The Last Day Is Powerful but Limited in Scope

In 1995, Israeli Prime Minister Yitzhak Rabin was shot after attending a public rally. Rushed to the hospital, he died hours later. His assassin, Israeli ultranationalist Yigal Amir, is in prison for life, having achieved his goal: Without Rabin, the tentative Palestinian-Israeli peace process collapsed. Where’s the story in an…

Malick Goes L.A. in the Sumptuous Knight of Cups

What if Terrence Malick directed an episode of Entourage? Well, we’re about to find out, sort of. In Knight of Cups, the director of Days of Heaven, The Thin Red Line and The Tree of Life turns his roaming camera and ruminating voiceovers toward Los Angeles and the movie business,…

Disney’s Zootopia Paws at Segregated City Life

In Zootopia, animals do a lot of the things that animals in Disney movies usually do: They speak, to begin with; they walk upright and wear funny clothes; they exhibit attitudes that align or ironically misalign with their species’ appearance and reputation; they hold jobs; they experience outsize emotion and…

Whiskey Tango Foxtrot Confirms That the Movies Don’t Get Tina Fey

The title of Glenn Ficarra and John Requa’s strained dark comedy, in which the War in Afghanistan serves as the backdrop to an American woman’s self-actualizing journey, is the military phonetic-alphabet rendering of WTF. The mild Islamophobia and highly questionable casting choices in the film call to mind other texting…

Aferim! Is Romania’s Best Chatty High-Plains Comedy

At first blush the least Romanian of the Romanian New Wavers, Radu Jude’s new film is in no way a steely-eyed, ultra-realist, uninflected working-class trudge, and the cranial wounds of Eastern European Communism are yet a gleam in the characters’ eyes. Rather, more acutely than The Hateful Eight, Aferim! is…

As Terrible Movies Go, Gods of Egypt Is Pretty Grand

Let’s give Gods of Egypt this much: An hour in, a giant cobra crashes and explodes like a bad guy’s car in a dumb movie from the ’70s. That snake, one of two in Alex Proyas’ film, is wide as a locomotive and long as a parade. It’s also straddled…

Eddie the Eagle Is No Cool Runnings

In the Winter Olympics, ski jumping is one of those sports — bobsledding and luging are others — where Joe and Jane Satellite Dish cannot tell the difference between a great performance and a terrible one unless the athlete is carried away on a stretcher. No doubt there are crucial…

Garrel’s In the Shadow of Women Illuminates a Love Triangle

Few filmmakers explore the mysteries of coupledom as touchingly as Philippe Garrel, who specializes in mapping out romantic triangles (whether acute, obtuse or oblique). The rich enigmas of his latest movie, about a husband and wife, both in their forties and each unfaithful to the other, start with its evocative…