In a September interview with GQ, Constance Wu, star of NBC’s Fresh Off the Boat, observed of the HBO series Togetherness, “It’s a show about white people.” She’s not wrong: Created by indie-film luminaries Jay and Mark Duplass, along with the actor Steve Zissis, Togetherness is a low-key look at…
There is precisely one attempted coup de cinema in the Jesse Owens biopic Race, which otherwise defaults to the backlot handsomeness of other Great Men tributes from Hollywood. In 1935, Owens (Stephan James), a freshman sensation on the Ohio State University track team, returns to the locker room after practice…
The centerpiece of Hail, Caesar!’s mid-century Hollywood satire is the eponymous film-within-a-film itself, an overwrought biblical epic in which a skeptical Roman centurion played by George Clooney has a literal come-to-Jesus moment. Risen, whose plot can be described in exactly the same way, never inspires one of its own. Co-writer/director…
Benicio Del Toro has the basset-hound look of a beast you can trust — or, at least, he’ll happily admit when he’s lying. He’s the right man for a rotten world, with heavy-lidded, handsome eyes made for giving any tough spot an appraising squint. Recently, he’s played a string of…
A laugh comes at last just before the end credits of Robert Eggers’ lit-class horror-bummer The Witch: a boastful note attesting to the documentary truthfulness of the dialogue in the movie we’ve just seen. Over 90 minutes that prove shriekiness is no impediment to ponderousness, we’ve beheld the harrowing of…
Grown-ups may wince, but Paul Dalio’s earnest, ambitious manic-poet romance Touched With Fire is a gift to the young and passionately creative, to the brains-a-poppin’ kids caught up in invention and each other and the invention of each other. You don’t have to be bipolar to get caught up yourself…
A dry-rubbed lark from the often harrowing ultra-realist territories of the Romanian New Wave, The Treasure is about almost nothing — a shaggy-dog daydream as flyaway as its protagonists’ thoughts of instant wealth. Director Corneliu Porumboiu, whose 2006 12:08 East of Bucharest may still…
On the surface, there isn’t much to object to in How to Be Single. Look, it says! No matter how fabulous their lives may seem, everyone wants to be happier and more fulfilled. Everyone is looking for something more, just like you! And really, Christian Ditter’s film (based on the…
HBO’s Vinyl is the latest in a series of cultural hard-ons for the rough-and-tumble world of pre-Koch NYC: From novels like Rachel Kushner’s The Flamethrowers and Garth Risk Hallberg’s City on Fire to online photo galleries of graffiti-splattered subway trains and can-you-believe-this-juice-bar-used-to-be-a-crack-den slideshows, there’s a hunger for what Manhattan looked,…
The first Zoolander, Ben Stiller’s dopey, fitfully funny fashion spoof, was released less than three weeks after the September 11 attacks. Its sequel shows the extent to which another kind of nefarious plot — the cynical quest for world domination through cross-brand synergy — has proven impossible to eradicate on…
Three years ago, Michael Moore wrapped up a TV interview about the Sandy Hook massacre and asked the producers to leave him alone. “You guys call me every time there’s a school shooting,” he sighed. He had, after all, made Bowling for Columbine, which blasted the NRA and the nightly…
A guy I grew up with had the superpower to make anything dirty. No matter what you’d say to him, he’d manage to make it about his dick, or about anal sex, or about how girls — so he had heard — smelled like fish. I asked him what he…
“I’ve turned into this kind of crazy optimist,” Michael Moore admits in his new documentary Where to Invade Next, his first film in six years. At 61, the gadfly savant has mellowed. Instead of charging into rooms, he shuffles, the American flag wrapped around his shoulders like a grandmother’s shawl…
The queasiest thing about American Crime Story’s (FX) retelling of the 1995 O.J. Simpson murder trial is how easily such a flagrant miscarriage of justice could happen all over again. The twin forces that most warped that case, after all, still plague us today: a tabloid culture that reduces flesh-and-blood…
The biggest story at this year’s Sundance Film Festival was the record-breaking bidding war for The Birth of a Nation, a prestige biopic about rebellious slave Nat Turner. When Fox Searchlight snatched it for $17.5 million — $5 million more than any other flick in the festival’s history — their…
A kick for those who’ve distractedly thumbed through Kenneth Anger’s Hollywood Babylon, Joel and Ethan Coen’s bustling comedy Hail, Caesar! looks back to the waning days of moviedom’s golden age: specifically, to 1951, when big-studio fixers were still tidying up the messes left by the talent (scrubbing now done by…
You’re probably right if you think you might get a couple laughs out of a movie titled Pride and Prejudice and Zombies. You’re also right if you’ve guessed that this gung-ho but cruddy-looking mashup fails from A to Z: It’s neither good Austen nor good zombie flick. But in those…
Patrick Warburton is that rare voice actor who looks like he sounds. His imposing, muscular physique complements his deep basso voice, but his warm tone gives a touch of soul to his many memorable performances as lunkheaded alpha males. Quite likely your ears perk up when you hear him. He…
Jane Got a Gun’s reputation precedes it, but it shouldn’t define it. After a tortured production that included the departure of original director Lynne Ramsay (Morvern Callar, We Need to Talk About Kevin) and a revolving door of leading men, the Western arrives in theaters long after popular opinion declared…
Here’s an odd thing to say of a lavishly expensive 3D IMAX maritime disaster flick that hits theaters just a month after the last one: They don’t make them like this anymore. There’s a reason for that, of course — the parents and grandparents who like ’em stolid and corny…
There are worse ways for a television star to transition into film than a horror movie. There are also better movies to do it in than The Boy. Still, Lauren Cohan of The Walking Dead shines bright in William Brent Bell’s dim genre exercise, a vital presence opposite a lifeless…
There’s essentially one joke in the Kung-Fu Panda movies. A ridiculous, adorable creature executes some extravagant action-flick flourish — vaulting over roofs, dropping a bad guy, striking a poster-perfect superhero pose. Then the battle music fades and that adorable creature breaks badass character to remind us it’s totally relatable, even…
