Ben Affleck’s Crime Epic Live by Night Is a Pile of Parts

Somewhere inside the 128-minute Live by Night is a reasonably solid 168-minute movie struggling to get out. No, that’s not a typo: You can sense the contours of an absorbing story as writer/director/star Ben Affleck’s slapdash and fragmented assemblage limps along. Most of the pieces are there, but they remain…

Martin Scorsese’s Priests Persevere in the Searching Silence

Martin Scorsese opens his foreword to the latest edition of Shusaku Endo’s Silence with a simple, impossible question: “How do you tell the story of Christian faith?” The director isn’t presumptuous enough to present his adaptation of that beloved novel as a definitive answer, but his film does read as…

The Dark Fable A Monster Calls Will Give Parents Nightmares

Parents be warned: J. A. Bayona and Patrick Ness’ kid-meets-beast coming-of-age fantasy is a reclamation of fairy stories from the reassuring fiction of happily ever after. In a lineup of holiday releases — or, soon, a streaming queue — this tale of a bullied Irish boy whose best friend is…

To Us, She’s Royalty: How Carrie Fisher Gave Leia Real Life

Carrie Fisher was always smarter than the words and roles written for her, smarter than what Hollywood thought it wanted out of a princess. On Christmas Eve of the all-devouring Sarlacc that is 2016, after word had spread that Fisher had suffered a heart attack, a page from her original…

With Cameraperson, Kirsten Johnson Interrogates Documentary Itself

“These are the images that have marked me and leave me wondering still.” That’s how Kirsten Johnson prefaces Cameraperson, made up of footage she has collected over 25 years of working as a camera operator, cinematographer and director on dozens of different documentaries — films like Laura Poitras’ The Oath…

Tense and True, Tower Reconstructs America’s First Mass School Shooting

Words can’t do justice to the singular power of Keith Maitland’s documentary Tower, a you-are-there reconstruction of the harrowing 1966 mass shooting at the University of Texas at Austin, where 25-year-old former Marine and engineering student Charles Whitman planted himself in the school’s clock tower and shot 49 people, killing…

The OA Confounds and Rewards. Plus: Other Netflix Improvisations

Like craft beers or your news feed, Netflix’s niche-viewing categories are forever growing more micro-specific. Its new drama series, an eight-part bafflement called The OA, could only be categorized as a Sexually Frank Spiritual Locked-Room Suburban Afterlife Mad Scientist Communitarian Interpretive-Dance Ripped-From-the-Headlines Horror Puzzle Mystery. Its flavors never unite into…

Elle Stars Isabelle Huppert as a Woman Under the Verhoeven Influence

Dutch provocateur Paul Verhoeven has dedicated his career to sifting through trash to extract ugly truths. He’s a former math and physics student who decided movies make more sense, but it’s hard to picture him crunching numbers and plugging in formulas and dealing with absolute answers, as his proudly pugnacious…

Walkthrough for the Assassin’s Creed Movie: Don’t Go

The Assassin’s Creed video games are about skipping through tedious cut scenes set in the present so that you can vault into the past, through and over gorgeous recreations of the roofs and streets of medieval and Renaissance cities. Sometimes you chase floating feathers through Florence. Often, you’ll sneak behind…

Natalie Portman Thrills in Pablo Larraín’s Impeccable Biopic

In the pantheon of American First Ladies, Jacqueline Kennedy was no Eleanor Roosevelt. She didn’t push for policy, didn’t relinquish her pillbox hat to walk among the needy, didn’t travel to foreign countries as an ambassador and certainly didn’t advise her husband on matters of war. Jackie Kennedy’s role was…

Seven Films We Look Forward to Distracting Us in Early 2017

2017 looks like it won’t be an improvement over 2016, so here are some promising films — either reviewed or previewed — to distract you in the next three months. In keeping with the pessimism most of the country is feeling, we’re also considering “what could be bad” in the…

“Get in There and Create”: Pablo Larraín on Jackie and Neruda

Pablo Larraín is having a good year. The Chilean director, Oscar-nominated a few years ago for his 2012 political drama No, has just released Jackie, featuring a striking Natalie Portman as Jackie Kennedy in the immediate aftermath of her husband’s assassination. He is also about to release Neruda, a complex,…

Melissa Anderson’s Top Films of 2016

In a profile early this year, the novelist Dana Spiotta told the New York Times, “That’s seductive, being paid attention to.” Several of the films below — those that seduced me — feature pivotal scenes, whether in diners, at picnic tables or at kitchen tables, of one character raptly listening…

Top 10 Films of 2016? Bilge Ebiri Says It Was More Like 20

I was fortunate enough this year to be at both Sundance and Cannes, so it was something like agony for me to watch the litany of critics and commentators who spent the summer and early fall complaining about the year in film — all while movies such as Manchester by…

L.A. Weekly Film Critic April Wolfe’s Top Horror Films of 2016

In this, the harrowing year of 2016, I could jump into the Oscars talk. I could pick groundbreaking films that reminded me time and again that movies are alive and more vital than ever, like the heartbreaking Moonlight, the soul-stirring Queen of Katwe, the force-of-goodness 13th, the subtle and sweet…

The Best TV of 2016

Controversial opinion: Lists are a great way to both organize and digest horrifically large amounts of information. And they’ve never been more relevant than this, the Lord’s year, 2016, in television. There’s just too damn much, and nobody could possibly watch it all — except maybe Scott Bakula on a…

Ho Ho Hokey: How I Learned to Love Hallmark Christmas Movies

Whenever I tell someone I’ve been binging on Hallmark Christmas movies all day, there’s a certain amount of apology involved. “I know, they’re the worst,” I’ll concede, before the other person has had a chance to say anything. “The one I watched this morning was a real winner.” Usually whomever…