Horrible Bosses 2 Is the Comedy the First Should Have Been

The third-greatest scourge of the Earth, right after online comments sections and bedbugs, is the unfunny comedy sequel, which might be why you think you should skip Horrible Bosses 2. The miraculous surprise is that Horrible Bosses 2 isn’t terrible at all. It’s looser, breezier, and more confident than its…

Is Any Part of Bill Cosby’s Legacy Worth Salvaging?

Bill Cosby’s present is secure. Despite the 17 women (so far) who have publicly come forward with notably similar allegations of drug-enabled sexual assault, the comedian received standing ovations for his stand-up performances in the Bahamas and in Florida recently. His comeback tour will likely continue over the next few…

The Scarifying Babadook Is a Rare Horror Triumph

If we’re honest, most of us who relish a good horror film don’t actually hope to feel something like horror. The appeal is, instead, that of shock and surprise, all candied up, the crowd-pleasing bits staged with the kind of extended setup/payoff patience that the makers of comedies have long…

Mockingjay Is Sharp on Propaganda but Soft on Celebrity

Over the first two Hunger Games films, we’ve watched coal miner’s daughter Katniss Everdeen become the pawn, then the pest, of the Capitol, whose President Snow (Donald Sutherland) has enslaved the adults of the 12 poorer Districts and annually commanded that they together sacrifice 24 of their children to likely…

Constipation Crime Drama The Mule Offers Relief Only at the End

Perhaps it’s fitting that a crime drama about constipation should take so long to get going. Directors Tony Mahony and Angus Sampson’s tense true-life Australian drug-trafficking ick-out The Mule opens with a sweaty Ray Jenkins (Sampson) dropping trou and spreading for airport security, his face straining for a blithe cluelessness…

Garfield Creator Jim Davis Explains Why Cats Rule the Internet

Garfield creator Jim Davis is well aware of the internet’s cat obsession. In fact, he’s got an upcoming strip about it. “But if I told you the joke, I’d have to kill you,” he deadpans, before cracking his paternal composure with a chuckle. (He did tell me, and I’ve chosen…

Citizenfour Captures Urgent, Nerve-Racking History in Progress

Director Laura Poitras’ Citizenfour boasts an hour or so of tense, intimate, world-shaking footage you might not quite believe you’re watching. Poitras shows us history as it happens, scenes of such intimate momentousness that the movie’s a must-see piece of work even if, in its totality, it’s underwhelming as argument…

Showbiz Drama Beyond the Lights Is Familiar but Cutting

Tales of fame and its trappings — and the way they’re never enough to build a life — are as old as show business itself. Maybe for that reason, almost any story about discovering the hollowness of fame is often written off as a cliché. But what’s the difference, really,…

Dumb and Dumber To Is Missing the Original’s Magic Idiocy

In the mid 1990s, self-appointed cultural gatekeepers used to wield Peter and Bobby Farrelly’s Dumb and Dumber as proof of the deterioration of film artistry. Those people hadn’t, of course, actually bothered to see the movie, and thus had no sense of its peculiar, sweet-spirited, un-toilet-trained brilliance. Times have changed,…

Christopher Nolan’s Interstellar Is Grand, but It Doesn’t Connect

There’s so much space in Christopher Nolan’s nearly three-hour intergalactic extravaganza Interstellar that there’s almost no room for people. This is gigantosaurus movie entertainment, set partly in outer space and partly in a futuristic dustbowl America where humans are in danger of dying out, and Nolan — who cowrote the…

Östlund’s First-Rate Force Majeure Exposes the Act of Manliness

Ruben Östlund makes films the way sociologists devise thought experiments: by posing a hypothesis and thinking fully through its consequences. The Swedish director’s previous feature, 2011’s Play, follows a group of black teenagers in Gothenburg as they blithely coerce a trio of affluent white children to hand over their valuables…

Whiplash Offers a Painful and Joyous Jazz Education

Jazz isn’t dead. Miraculously, there’s always a small but steady stream of young people who continue to fall in love with this most dazzling and elusive American genre, spending hours, days, and months running ribbons of scales and memorizing Charlie Parker solos in the hopes that some of the alto…

Art and Craft‘s Trickster Forger Is an American Original

Knocking out the first-rate forgeries that fooled 60 American museums? That was a curiously mundane miracle, something for Mark Landis to do while watching TV. A frail and ascetic Mississippian who resembles Michael Stipe playing Truman Capote, Landis sketched and painted minor Currans, Averys, and Cassatts with one eye on…

Zombie Comedy Life After Beth Is a Bit Too Stiff

Every other year or so, someone comes down the indie-movie pike with an idea for an unconventional zombie movie — as opposed to the workaday ones, where the dead simply return to life and chew on limbs and stuff. Life After Beth, the debut film from writer-director Jeff Baena, strives…

Michael Keaton Is Great in the Flashy Birdman

Before there was a Birdman, there was a Batman — several, in fact — though the best was played by Michael Keaton in the two Tim Burton films in the late ’80s and early ’90s. Since then, Christian Bale’s somber strutting and muttering, as seen in Christopher Nolan’s Batman movies,…

Horns Lets Radcliffe Be Bad, but Not in a Good Way

Alexandre Aja’s Horns is the rare YA-ish romance that doesn’t make like a guidance counselor and force the characters to shake hands and forgive. It’s a biblically tinged, eye-for-an-eye vengeance thriller about an emo boyfriend named Ig (Daniel Radcliffe) whose childhood sweetheart Merrin (Juno Temple) has been murdered underneath the…