For all its nasty twists, the biggest shock in Spike Lee’s remake of Park Chan-wook’s Oldboy (opening November 27) hits in the movie’s first minutes — during the credits. “A Spike Lee Film,” a title card reads, a first for any of Lee’s features. Jungle Fever, He Got Game, Inside…
Few men wear a dress as meaningfully as comedian Chris Lilley. Since 2005, he has sported the pinstriped schoolgirl uniforms of his native Australia to play Ja’mie King, a perfect little monster created by an ungodly mix of wealth, vapidity, and cheerful cruelty. Ja’mie returns to HBO on November 24…
“This movie has been written about in books — go figure — and there’s discussion about whether or not it’s actually a zombie movie. And I can tell you it’s not; it’s not a zombie movie.” So says director Thom Eberhardt about 20 minutes into the commentary for his low-budget…
Through the soaring windows of the Mandarin Oriental Miami, it’s hard not to notice the blue skies and matching azure water. Most people find Miami’s beachy, serene views relaxing. But for fans of The Hunger Games, the vacation vista could just as easily conjure images of blister-forming nerve gas, vicious…
From the mid-1990s to somewhere around 2006, Hollywood bankrolled a number of romantic entertainments targeted to — though not made exclusively for — black audiences. Pictures like Love Jones, Brown Sugar, How Stella Got Her Groove Back, and Something New provided a showcase for actors of color, a refreshing change…
How is it that no one had yet made the Lucien Carr-David Kammerer murder story into a movie? It’s an irresistible tall tale from the Beat back catalogue — how, once upon a time in the mid-’40s, the finger-snapping legends-to-be (Ginsberg, Kerouac, Burroughs) all coalesced around the radiant rebel Carr…
Jonathan Brandis hanged himself 10 years ago this week (November 12, 2003) at Sixth and Detroit in Los Angeles, in the second-floor hallway of an apartment building south of Hollywood near a decent doughnut shop and a cat groomer. He was 27 years old. And he was my first big…
Weight-loss and weight-gain performances are tricky things. Robert De Niro’s heavily mannered turn in Raging Bull just has to be great — he gained 60 pounds for it, didn’t he? For his role in The Machinist, Christian Bale dropped to a sub-skeletal 122 pounds; he looked like a walking, talking…
The great sins of the 20th Century are already too many to list, but let us note one more: the abduction of infants from mothers deemed unworthy or undesirable by governments and religious institutions. Thousands of children were kidnapped from leftist parents during Argentina’s and Spain’s respective dictatorships, while children…
The title All Is Lost promises despair, especially with Robert Redford looking so stolid and weathered and still-got-it golden on the poster. Could this near-silent, you-are-there survival story be another of Redford’s yawps of boomer gloom? Another complaint, like The Company You Keep, about the realization that the world we…
Richard Curtis has so much to tell us about life. Seize the day! Show people you love them before it’s too late! Don’t let the right one get away! His movies — those he writes, directs, or both — are so packed with info-feeling that they become restless jumbles of…
Among the Avengers, Thor should reign supreme. Sure, Captain America is the de facto leader, but even he — like the others — is just a jacked-up human. Thor is a god. Or if not quite a god, as he demurs, he’s the next best thing: a flying titan with…
One of the tragedies of the internet age is that sometimes movies get attention for all the wrong reasons. When Abdellatif Kechiche (Secret of the Grain) debuted Blue Is the Warmest Color in Cannes in May, the festival jury was so taken with the film and its two lead performances…
She was a lonely princess. He was a cocky civilian. And after she escaped the palace, the unlikely couple fell in love. It’s the plot of Roman Holiday and — according to this soapy romance from director Oliver Hirschbiegel — the true-enough story of the last two years of Princess…
While guest-hosting a TV variety show in 1964, Dean Martin ridiculed a hot new rock ’n’ roll act with his trademark blend of cocksure innuendo, aw-shucks buffoonery, and inebriated syntax: “Now, something for the youngsters — five singing boys from England. . . . They’re called the Rollin’ Stones. I…
The zombification of America got its start in 1968, when George A. Romero and a bunch of his friends and colleagues released Night of the Living Dead, the scrappy little horror movie that could not only serve as patient zero in the ongoing pop-cultural zombie apocalypse, it also revolutionized horror…
It’s almost a relief that Ender’s Game has turned out to be a glum bore onscreen, a far-future cadets-in-space military drama whose pretensions to moral inquiry boil down to the guilt a kid may feel after stepping on an anthill. If the film had turned out grand, like the best…
Steve McQueen’s 12 Years a Slave is the movie for people who think they’re too smart for The Butler. The story it tells, a true one, is horrifying: In 1841, Solomon Northup, a free, educated black man from Saratoga, New York, was kidnapped, sold into slavery, and transported to Louisiana…
First-time filmmaker Norry Niven’s Chasing Shakespeare is full of instantly iconic images. Lightning rods reach for the heavens atop a prairie homestead. Two lovers, the girl delicate and long-haired, the boy wide-shouldered and bare-chested, ride toward sunset-lit hills on their white stallions, the animals so majestic they might well be…
When life is “cheaper than cigarettes,” compassion becomes all too costly. It soon joins diamonds and caviar in the club of unthinkable luxury, and anyone who gives it away freely is immediately suspect. That’s the fate of Pauline (Lindiwe Ndlovu), a train station snack vendor who finds a bloody, unconscious…
Greek-born French filmmaker Costa-Gavras has gone after “isms” — fascism, Nazism, imperialism — in vivid political melodramas like Z and Missing, as well as less-accomplished though watchable movies like Music Box and Amen. The director’s latest tackles capitalism, and the title, Capital, is essentially the only apt thing about it…
Recently, Anne Washburn’s astonishing Mr. Burns, a Post-Electric Play wrapped up a sold-out run at Playwrights Horizons in New York. I saw the show’s world premiere in June 2012 at Woolly Mammoth Theatre Company in Washington, D.C., where I write about theater. It was one of the most imaginative and…
