“Girls” Boy Makes Good

In movies and TV, Alex Karpovsky is only playing an asshole The coffee shop in New York’s Union Square might be packed on this cold afternoon, but scanning the crowded bar it’s hard to miss Alex Karpovsky looming at the far end — even if you’re not familiar with work…

On the Road Is Tamed at Last

Two sacred texts of the ’50s proto-counterculture have escaped the rapacious machine of cinema adaptation for a half-century. One is J.D. Salinger’s Catcher in the Rye, which probably would have worked only if starring Salinger himself, and the other is Jack Kerouac’s On the Road, that ecstatic recount of crossings…

Team Kerouac

There’s traffic from Silver Lake. That’s why Kristen Stewart and Garrett Hedlund, the stars of On the Road, are late to the Benedict Room of the Four Seasons Hotel in Beverly Hills. We’re as psychically far from Jack Kerouac’s Beat gospel as you can get: fidgeting under crystal chandeliers in…

Parker: Rough Guide to a Rough Guy

In George A. Romero’s deeply silly 1993 Stephen King adaptation The Dark Half, Timothy Hutton stars as Thad Beaumont, a writer whose highbrow pretensions don’t pay the bills. When Thad needs to make a quick buck, then, he seals himself into his study and grinds out a nihilistic thriller to…

Sundance 2013: America’s Black Indie Film Renaissance

You could hear a pin drop during the first Sundance screening of writer-director Ryan Coogler’s Fruitvale, an enormously powerful and moving debut feature based on the shooting death of 22-year-old Oscar Grant by Oakland transit police in the early hours of New Year’s Day, 2009. Coogler opens the film–one of…

What You Need to Know From Sundance

Bold, impassioned, ecstatically beautiful, Shane Carruth’s Upstream Color — a lyric reverie on loss, love, and various invasions of the body — was in a class by itself at the 2013 Sundance Film Festival. Well, let’s say it was a class shared by a more conventional but no less heady…

The Selling of the Governator, 2013

We’re now a generation removed from Arnold Schwarzenegger’s brief, odd reign as the biggest star in movies. This Coppertone age lasted from 1990, when two of the 10 top-grossing pictures were Schwarzenegger’s Total Recall and Kindergarten Cop, until 1993, when Last Action Hero—an attempt at a tonal gene splice between…

Park City’s Breakouts

For the next ten days, all Hollywood eyes—and those of many a filmgoer—will turn toward the frigid wilds of Park City, Utah, reportedly experiencing its chilliest winter in a decade. Their collective hope: to discover at the 2013 Sundance Film Festival (January 17 through 26) the next Beasts of the…

Mama Not Even as Scary as a Call From Mom

A chiller about two abandoned little girls and their bond to the wraith of the title, Mama never delivers the primal terror its premise would suggest. Instead, the movie — the first feature by Andy Muschietti, who co-scripted with his sibling Barbara and Neil Cross — distracts with too much…

Nothing to See Here: Gangster Squad Retells the Stories of Better Movies

Originally slated to open in September, Gangster Squad was delayed when the movie-theater shooting in Aurora, Colorado, suddenly made a scene of gunfire in Grauman’s Chinese Theatre “inappropriate.” Four months later, a turn in the film’s plot that relies on gunning down an adolescent risks recalling Newtown, but the proximity…