“Something Borrowed” Shows the Divine Secrets of the Eskimo

Something Borrowed is based on a 2005 work of chick literature by Emily Giffin. It was directed with extraordinary impersonality by Luke Greenfield (Rob Schneider’s The Animal), and produced by Hilary Swank in collaboration, apparently, with the restaurant Shake Shack — one of the lifestyle brands prominently featured in this…

Failing to Enshrine a Cleveland Folk Hero in “Kill the Irishman”

With post-Goodfellas crime-movie tropes dyed for St. Patrick’s Day, this Ballad of Danny Greene attempts to enshrine the Irish-American strongman, a real-life folk hero among Mob-lore nerds and Cleveland Teamsters for his Rasputin-like resilience through multiple assassination attempts. Kill the Irishman aims to come out bumping chests in upstart insouciance,…

“Ceremony”: A Callow Movie About Callowness

Sam (Michael Angarano), a young kids’-book author, suckers his neglected childhood best friend, Marshall (Reece Thompson), into driving them out of Brooklyn. Romantic egotist Sam’s hidden ulterior motive behind their impromptu vacation is to ambush old flame Zoe (Uma Thurman) at her fiancé’s posh shore house — where he unexpectedly…

“There Be Dragons” Whitewashes the Founding of Opus Dei

Any stir caused by this stilted historical melodrama is more likely to be over its controversial real-life protagonist than its cinematic merits, such as they are. There Be Dragons compresses, embellishes, and probably whitewashes true events in its depiction of how Catholic priest Josemaría Escrivá (Charlie Cox) founded Opus Dei…

“3 Backyards”: A Mood Movie on Long Island

A rare breed of mood movie, 3 Backyards crossfades through three stories, each begun in an unidentified Long Island suburb. The protagonists are an anxious housewife, Peggy (Edie Falco); a man burdened by vague marital and financial worry, John (Elias Koteas); and an in-her-own-world 9-year-old, Christina (Rachel Resheff). In the…

“Prom” May Just Be Worse Than Your Own

This one perfect moment.” “That soul-crushing mistress.” “Our forever night.” These and other understated definitions are obsessively applied to a certain dreaded/anticipated ritual throughout Prom, a timely pop product set in a suburban high school during the last weeks before summer break and destined for the immortality of Vitamin C’s…

“In a Better World”: Oscar-Feted Compassion Porn

If The King’s Speech was a comfy middlebrow choice for Best Picture of 2010, how much more depressing was the academy’s squandering of Best Foreign Language Film on Susanne Bier’s In a Better World? Displaced tykes and bullies both macro and micro abound in this relentlessly pandering drama about a…

Finding (Fake?) Love in “Certified Copy”

What happens when everything a filmmaker tells us about his characters is suddenly turned on its head? This is the dilemma that viewers of Abbas Kiarostami’s confounding Certified Copy will face late into this movie. It is at this point when the two main characters, William Schmiell’s pompous author and…

“Fast Five” Ups the Bromance — and the Clichés

The fifth installment in The Fast and the Furious franchise picks up where the fourth left off: Lunkhead street racer/noble criminal antihero Dom Toretto (Vin Diesel) is in a bus en route to prison; his sister Mia (Jordana Brewster) and her paramour/sometimes FBI agent Brian (Paul Walker) are en route…

The Mysterious World of Mumble Noir in “Cold Weather”

Cheerfully diffident, garrulous yet un-inflected, blithely self-absorbed, the mumblecore brand proliferates: Last year’s star vehicles Greenberg and Cyrus introduced the concept of mega mumble. Likewise, Cold Weather stakes a claim as the founding work of mumble noir. Exhibiting no particular rush to draw the viewer into its world, Cold Weather…

A Big Hand for Paprika Steen in “Applause”

Appearing in every frame of Applause, Thea Barfoed (Paprika Steen), an aging actress and recovering alcoholic trying to get her life back together, is a woman under the influence — of Gena Rowlands’ Myrtle Gordon, another aging, alcoholic actress, in John Cassavetes’ Opening Night. Danish director Martin Pieter Zandvliet, making…

Ellen Page a Revelation in Tonally Uneven “Super”

When a local crime boss (Kevin Bacon) lures away his wife (Liv Tyler), lifelong pushover Frank (Rainn Wilson) — under the influence of a bizarre Christian kids’ TV show and a sci-fi-style encounter with something like God — starts to make himself over into a real-life superhero. On discovering that…

“Rio” Can’t Last on Flimsy Parrot-Sex Premise

Parrot sex is the narrative impetus of Rio, and yet there’s still little spark to this animated tale of a domesticated Minnesota macaw named Blu (voiced by Jesse Eisenberg) who’s reluctantly taken to Brazil by his clingy owner, Linda (Leslie Mann), to mate with the last of his kind, tough…

“Winter in Wartime” Updates the WWII Movie for a Skeptical Age

Updated for a skeptical age, this new World War II movie comes impeccably groomed in period-attentive tans and grays, is written in nonheroic dialogue to suggest ambiguities in the good-evil dichotomies of war stories past, and is sufficiently hopped-up with thrills to warrant the interest of a U.S. distributor. Based…

“Scream 4” the Latest in a Franchise That Simply Won’t Die

Why won’t you die? There is a particular sort of stupid-acting-smart movie experience that can be achieved only through the reunion of David Arquette, Courteney Cox, and Neve Campbell. Updated for 2011 with ad nauseum cell-phone app and webcam references — none of which are integrated into the narrative with…