Effie Gray Vaguely Damns Ruskin as a Prude

In 1848, Euphemia Gray, a bright and pretty young girl from a family of modest means, left her home in Scotland to marry her era’s equivalent of an art-world rock star, the imposingly erudite critic John Ruskin. Perhaps as early as her wedding night, Effie knew she had made a…

Sean Penn Is Mighty in the Strained Gunman

In the action thriller The Gunman, Sean Penn, at age 54, looks neither old nor young. He’s been in training to look this age for a long time. Even as a relative kid, in 1982’s Fast Times at Ridgemont High, his sailor-on-shore-leave mug had a wry, quizzical roughness to it; it was…

Disney’s New Cinderella Is Sumptuous and Fearless

There’s no empowerment message embedded in Kenneth Branagh’s Cinderella, no “Girls can do anything!” cheerleader vibe. That’s why it’s wonderful. This is a straight, no-chaser fairy story, a picture to be downed with pleasure. It worries little about sending the wrong message and instead trusts us to decode its politics,…

Bravura Anthology Wild Tales Lays Bare Everyone’s Awfulness

There are two kinds of humanist movie. One kind shows human beings struggling against the most unspeakable horrors, sorrows, or injustices and still somehow emerging with their essential goodness intact. The second, thornier type gives us people doing terrible things to one another — screaming, cheating, and generally making life…

Russia, a Whale, and a Way of Life Moulder in Leviathan

Where we come from defines us more than we even realize. That’s the idea implicit in Andrey Zvyagintsev’s somber, sturdily elegant drama Leviathan, in which a mechanic who has lived on the same parcel of land all his life — as his father and grandfather did before him — resists…

A Most Violent Year Never Quite Summons Rough Old New York

The world needs fewer tasteful movies about distasteful things. It definitely doesn’t need J.C. Chandor’s A Most Violent Year, in which Oscar Isaac plays a nouveau-riche heating-oil baron in early-1980s New York who’s striving to maintain his principles amid industry corruption and generally scummy behavior. Isaac’s Abel Morales skulks through…

Pacino, Levinson, and Roth Stare Down the End in The Humbling

There’s something bracingly honest about The Humbling, Barry Levinson’s movie about a 67-year-old Shakespearean actor, played by Al Pacino, who, after being struck with crippling anxiety, gets his mojo restored — some of it, anyway — by a manipulative muse (Greta Gerwig). Based on the 2009 Philip Roth novel of…

Blackhat Is Another Exercise in Style but Not Much Else

Anyone who loves Michael Mann movies, or even just the idea of Michael Mann movies, accepts that film style is a language and something more, a way of thinking, feeling, and looking that goes beyond basic plotting, dialogue, or character motivation. I can tell you pretty much everything that happens…

Ava Duvernay’s Urgent Selma Speaks to the Now

Describing Ava DuVernay’s quietly remarkable Selma to a friend, I caught myself referring to the Civil Rights Era as a historical event, a thing of the past, and then backtracked. The killing of Michael Brown, Eric Garner, and Tamir Rice at the hands of police officers — not to mention…