Paul Thomas Anderson was making serious movies long before he began making “serious” movies, ponderous works of certified art like There Will Be Blood and The Master. His earliest pictures, like Hard Eight and Boogie Nights, and even the later Magnolia, were wily, imperfect, vibrating with life like yeast springing…
“If everything were great, nothing would be great.” That line, from Scott Coffey’s smart and sweetly entertaining Adult World, is one of my favorite bits of movie dialogue from 2014, not least because it’s applicable to every movie genre — actually, every genre of everything. But in the movie world…
In Rupert Wyatt’s highball-cool reworking of Karel Reisz’s 1974 The Gambler, Mark Wahlberg does not play a cop, does not shoot bad guys with a gun, and does not spend considerable time shirtless (though we do see him sulking in a bathtub, and there’s a fleeting wet T-shirt moment, too)…
Editor’s Note: Sony has officially canceled the theatrical release of The Interview following terrorist threats against theaters, and the announcement that several major theater chains had opted not to exhibit the film. The following review was written before Sony pulled The Interview– and stands as a reminder that world-shaking art…
For reasons that are perhaps understandable, stories about women finding themselves — or their voices or their inner courage or any number of things that are apparently very easy to mislay — are big business. But even if Cheryl Strayed’s hugely successful 2012 memoir Wild: From Lost to Found on…
Whatever it is Americans want out of life — and it’s not even something we can precisely define ourselves — it was nowhere in evidence on December 3, when a grand jury failed to indict the police officer whose chokehold killed Eric Garner in July. We all know we live…
The third-greatest scourge of the Earth, right after online comments sections and bedbugs, is the unfunny comedy sequel, which might be why you think you should skip Horrible Bosses 2. The miraculous surprise is that Horrible Bosses 2 isn’t terrible at all. It’s looser, breezier, and more confident than its…
In the mid 1990s, self-appointed cultural gatekeepers used to wield Peter and Bobby Farrelly’s Dumb and Dumber as proof of the deterioration of film artistry. Those people hadn’t, of course, actually bothered to see the movie, and thus had no sense of its peculiar, sweet-spirited, un-toilet-trained brilliance. Times have changed,…
Tales of fame and its trappings — and the way they’re never enough to build a life — are as old as show business itself. Maybe for that reason, almost any story about discovering the hollowness of fame is often written off as a cliché. But what’s the difference, really,…
There’s so much space in Christopher Nolan’s nearly three-hour intergalactic extravaganza Interstellar that there’s almost no room for people. This is gigantosaurus movie entertainment, set partly in outer space and partly in a futuristic dustbowl America where humans are in danger of dying out, and Nolan — who cowrote the…
There’s so much space in Christopher Nolan’s nearly three-hour intergalactic extravaganza Interstellar that there’s almost no room for people. This is a gigantosaurus movie entertainment, set partly in outer space and partly in a futuristic dustbowl America where humans are in danger of dying out, and Nolan — who co-wrote…
This essay contains a spoiler or two for John Wick. There’s too much violence in movies today — too much of the wrong kind, though if you asked me what the “right” kind is, I would only be able to tell you that I know it when I see it…
Before there was a Birdman, there was a Batman — several, in fact — though the best was played by Michael Keaton in the two Tim Burton films in the late ’80s and early ’90s. Since then, Christian Bale’s somber strutting and muttering, as seen in Christopher Nolan’s Batman movies,…
Every other year or so, someone comes down the indie-movie pike with an idea for an unconventional zombie movie — as opposed to the workaday ones, where the dead simply return to life and chew on limbs and stuff. Life After Beth, the debut film from writer-director Jeff Baena, strives…
Jazz isn’t dead. Miraculously, there’s always a small but steady stream of young people who continue to fall in love with this most dazzling and elusive American genre, spending hours, days, and months running ribbons of scales and memorizing Charlie Parker solos in the hopes that some of the alto…
You can’t live in New York for more than ten days without meeting some truly dreadful people: couples who fret about having to choose between buying a summer home and having a second child, even as you’re struggling to pay your monthly rent; large groups of people getting together for…
Among its many attributes, Justin Simien’s exuberant debut feature, Dear White People, proves we’re not yet living in a “postracial America”: Forget for a moment there are so many vexing problems entwining race, class, and economics that we haven’t been able to put a Band-Aid on, let alone solve. In…
You can’t live in New York for more than 10 days without meeting some truly dreadful people: couples who fret about having to choose between buying a summer home and having a second child, even as you’re struggling to pay your monthly rent; large groups of people getting together for…
Should we trust artists to tell the story of artists? On the plus side, who understands them better? If there’s a secret language of imagination and creativity, then the members of this sprawling tribe must be the ones who speak it best. On the other hand, could there be anything…
It says something about current global affairs that a movie set during the UK miners’ strike of the mid-1980s — an event that tore lives to shreds, representing a dismal and damaging period in late-20th-century British history — is likely to make you feel better rather than worse about the…
God save us from old coots and the actors who play them. Is that a terrible thing to say? Actors, like the rest of us, grow old, and there aren’t a whole lot of good roles available to them. But do we really need to see Robert Duvall playing a…
Everything about Gone Girl, David Fincher’s adaptation of Gillian Flynn’s enormously popular 2012 thriller about a deteriorating marriage and a wife gone missing, is precise and thoughtful — it’s as well planned as the perfect murder, with its share of vicious, shivery delights. But at the end of the perfect…
