If you ever have days when you prefer animals to human beings, How to Train Your Dragon 2 is your kind of movie. In some ways, the second entry in this animated franchise is inferior to the first, released in 2010: The plot is needlessly busy, and much of the…
One of the biggest selling points of 21 Jump Street, the 2012 TV-remake comedy, turned out to be its seemingly unscripted lunacy, the way it put Channing Tatum and Jonah Hill in police-shorts outfits and let them riff on their characters’ mutual ineptitude. Sometimes you need a little flapdoodle, and…
I haven’t looked forward to a new Godard movie since…never. The first Godard movie I saw upon its release in a movie theater was First Name: Carmen, in 1983, which overwhelmed me: I didn’t yet understand that it’s OK not to completely comprehend everything a filmmaker puts in front of…
#492425863 / gettyimages.com Marion Cotillard, the star of the Dardenne Brothers’ competition film Two Days, One Night, showed up for the photo call on Tuesday in a mini-dress encrusted with a riot of buttons, a whimsical and rather adorable choice for an actress who, on-screen just a few minutes earlier,…
It’s been a few days since I saw David Cronenberg’s Maps to the Stars, screening here in competition, and I’m still not completely sure what I think of this sometimes-smart, sometimes-arch ultra-black comedy about shallow Hollywood types. But one thing’s for sure: Julianne Moore is a knockout in it. Moore…
Cannes, on festival weekends, is wild: Every night is busy on the Croisette, the long boulevard that winds along the shore and past the Palais des Festivals, the large complex where most of the festival action — including screenings, premieres, and red-carpet walking — take place. But the crowds swell…
If you’ve ever loved a terrible person, Mike Leigh’s quietly sensational Cannes competition entry Mr. Turner — a biopic, of sorts, covering the last 25 years of the life of the great 19th century British painter J.M.W. Turner – is the movie for you. In his seascapes and landscapes, Turner…
Greetings from Cannes! It’s an unwritten rule – maybe it should even be a written one – that no one who is lucky enough to come to Cannes for the film festival, now in its 67th year, should, in any way, shape, or form, complain about being here. But may…
Godzilla is the movie monster with the mostest. King Kong may be just one gorilla-chest-hair behind, but not even the greatest of apes can quite match the half-dragon, half-dinosaur who first stomped and chomped his way through Tokyo in Ishiro Honda’s 1954 Toho Co. Ltd. extravaganza Godzilla. In that picture…
One of the great pleasures of regular moviegoing isn’t seeing great films. It’s finding the little oddballs, the modest entertainments that miss just as often as they hit but leave you with the feeling that someone poured heart, soul, and a sense of humor into the work at hand. Fading…
The vampires that walk among us — and they do — are not the Twilight kind or the True Blood kind or even the Buffy kind. In the world of Jim Jarmusch’s Only Lovers Left Alive, the director’s most emotionally direct film since Dead Man and maybe his finest, period,…
Sometimes it’s helpful to know certain details about how a film has come together. And sometimes it’s just so much information. Transcendence, the directorial debut of Christopher Nolan’s go-to cinematographer, Wally Pfister, was shot on film rather than digitally, as most big Hollywood movies (and nearly all small ones) are…
The promise of seeing Scarlett Johansson fully nude is probably enough to lure lots of people into Jonathan Glazer’s alien-among-us fantasy Under the Skin, and the vision doesn’t disappoint: Her figure, seen in long shot, is a grand and glowing thing; she has one of those butts shaped, adorably, like…
To hear Darren Aronofsky tell it, in the interviews he’s given recently to the New York Times Magazine and the New Yorker, there was no way in hell he’d let his special-effects extravaganza Noah, years in the planning, be your run-of-the-mill, candy-ass Biblical epic. The ark built by Russell Crowe’s…
If you count forward from Jim Henson’s mid-1960s TV appearances with a fringy pup named Rowlf and the lizard, made from an old winter coat, who would later become Kermit the Frog, the Muppets have outlived most of their early puppet peers by more than two generations: You don’t see…
According to lore, Liberace used to greet the tourists who’d come by bus to gawk at his bejeweled home with the line, “I hope you like it. After all, you paid for it!” Not everyone has to like Rob Thomas’ Veronica Mars, the feature-length incarnation of his much-loved television series,…
Man, woman, gay, straight, bi: There’s something for everyone in 300: Rise of an Empire, the XXL sequel to the also-larger-than-life Greeks-in-shinguards extravaganza 300. In that picture, directed by Zack Snyder and based on Frank Miller’s graphic novel about the three-day Battle of Thermopylae in 480 B.C., the Spartans and…
First, let’s get this out of the way: There is no Santa Claus. Now, on to a perhaps even harsher truth: There are certain indications that Dutch painter Johannes Vermeer, whose 17th-century paintings — like Girl With a Pearl Earring and The Music Lesson — show an extraordinarily delicate touch…
Every once in a while, a terrific small-budget indie comes along and nobody even blinks. Adult World, directed by Scott Coffey (known mostly as an actor, particularly for his roles in David Lynch movies like Mulholland Dr. and Lost Highway) and written by Andy Cochran, could easily get lost in…
Action heroes with nothing to lose are the best kind, perhaps the only kind worth watching. In the opening seconds of Jaume Collet-Serra’s Non-Stop, Liam Neeson’s federal air marshal Bill Marks slumps in his parked vehicle while sloshing a few glugs of whiskey into a paper cup and stirring it…
Variety and The Hollywood Reporter, both of which publish special daily issues at the major international festivals, may be the most famous movie trade magazines. But every morning at any of these festivals, including Berlin, most critics I know – and probably plenty of industry people, too – turn to…
Though it’s difficult to pinpoint the typical Berlin Film Festival film, I’ve attended the festival enough times to attest that most pictures in the competition lean toward the somber end of the scale: You’re more likely to see a drama about immigrants in tough circumstances or children left to fend…
