The big news out of the Berlin Film Festival was that Shia LaBeouf, here to promote Lars Von Trier’s Nymphomaniac: Volume 1, behaved like an ass on the red carpet at the movie’s premiere last night. He showed up in a proper tuxedo, but also with a paper bag over…
We’ve entered an age in which people have no idea how old they are. Fifty-year-olds lament “I still feel 30 in my mind” and sometimes dress like it. Some 30-year-olds may cling to the destructive habits of their 20s, but plenty more march dutifully into full-on family- and career-building mode,…
It’s a little sad that Colin Farrell has outgrown roles that require him to wear raggedy sweaters and say things like “For fook’s sake!” It had to happen, though. Farrell has always made a terrific bad boy, but he clearly knows he couldn’t be a scamp forever, and he seems…
Greetings from the 64th annual Berlin Film Festival, where it’s a surprisingly balmy 10 degrees Celsius (50 degrees Fahrenheit). The weather here may not be business as usual, but the festival looks promising — the competition includes films by Alain Resnais, Lou Ye, Yoji Yamada, and Claudia Llosa (whose odd…
Art may not be more important than human lives. But on the list of things that mean something to human lives, across centuries, it ranks pretty high. That’s what’s so compelling about the story of the Monuments Men, a group of people from 13 nations who volunteered to protect cultural…
A favorite pastime of critics and serious filmgoers, perhaps the most idiotic and fruitless one, is to complain about how bad the movies have gotten. The complaint is meaningless, because no matter how “bad” the movies get, there are always, always actors. There’s no such thing as a golden age…
January! Just the time to snuggle up with a 3-D sword-and-pectoral extravaganza. And although some of its more imaginative plot details would make Edith Hamilton blanch, Renny Harlin’s The Legend of Hercules fulfills every silly, flimsy promise it makes in the first place: There are lots of battles (though rather…
Russians still make the best movie villains. Since 9/11, Hollywood has been queasy about giving us fictional baddies from Arab countries — the line between cheap stereotypes and real-life religious extremism is too blurry, too delicate. South American drug lords have had their day, and Albanians in bad sweaters just…
Written and directed by Spike Jonze. Starring Joaquin Phoenix, Scarlett Johansson, and Amy Adams. 120 minutes. Rated R.The terrible reality of modern life is that even beautiful young people on a first date can’t go a whole evening without checking their phones. Just allowing the present to happen has become…
Without big truth-telling scenes, grand, great-lady, Meryl Streep-type actors would be out of work. Hell, Meryl Streep would be out of work. But for now, at least, August: Osage County, John Wells’ film adaptation of Tracy Letts’ Pulitzer Prize-winning Broadway hit, keeps her out of the bread line. Streep plays…
Rosemary’s Baby notwithstanding, it’s usually only white suburban people who fall prey to movie ghosts and demons — they’re always the ones opening doors to rooms that shouldn’t be entered, stepping witlessly into pentagrams painted on the floor in goat’s blood, and wondering aloud, “You think this is some sort…
Here’s where I write about how hard it is to draw up a 10-best list at the end of the year. Except it isn’t: I think of drawing up a list as an honor and a necessity, a way of putting 12 months of moviegoing into some sort of perspective…
Martin Scorsese’s The Wolf of Wall Street is the kind of movie directors make when they wield money, power, and a not inconsiderable degree of arrogance. Sprawling and extravagant, it revels in all manner of excess, including sexual debauchery, hearty abuse of liquor and quaaludes, even dwarf-tossing. Its antihero, the…
The audience that shows up for a comedy is the most tyrannical of all. Its very presence is the equivalent of a schoolyard bully’s challenge: “Go ahead — make me laugh.” Which is why there’s danger in following up a hit comedy with a sequel, even nine years after the…
Here’s where I write about how hard it is to draw up a 10-best list at the end of the year. Except it isn’t: I think of drawing up a list as an honor and a necessity, a way of putting 12 months of moviegoing into some sort of perspective…
The best movies about con artists work a bit of flimflammery themselves. They’re not necessarily dishonest; they just can’t resist making the truth shinier than it is in real life. There may not be much behind the sparkling tinsel curtain of David O. Russell’s extraordinarily entertaining American Hustle. But what…
The big problem with pinup queen Bettie Page — maybe the only problem — is that her image inspires so many easy bromides about how she made sex seem fun and playful and how she’s a great role model for modern women who want to feel comfortable with their sexuality…
A favorite pastime of those who love Asian film is to carp about Hollywood’s annoying tendency to lay claim to and defile their favorites. But Spike Lee’s Oldboy is the remake that came too late, so benign and unmemorable that not even people who loved Park Chan-wook’s 2003 original will…
It had to happen: There’s so much voice-over narration in today’s movies, so much needless verbal play-by-play, that it was only a matter of time before somebody made a picture narrated by that life of the party himself, Death. The Grim Reaper delivers the opening monologue of The Book Thief,…
It says something that two of the biggest sensations in young adult literature over the past ten years have featured heroines who keep more than one guy on the line at a time. No longer do the genre’s bright young women sit around waiting for one Mr. Right to notice…
Weight-loss and weight-gain performances are tricky things. Robert De Niro’s heavily mannered turn in Raging Bull just has to be great — he gained 60 pounds for it, didn’t he? For his role in The Machinist, Christian Bale dropped to a sub-skeletal 122 pounds; he looked like a walking, talking…
From the mid-1990s to somewhere around 2006, Hollywood bankrolled a number of romantic entertainments targeted to — though not made exclusively for — black audiences. Pictures like Love Jones, Brown Sugar, How Stella Got Her Groove Back, and Something New provided a showcase for actors of color, a refreshing change…
