The rain was pouring down onto the streets of Marianao, the municipio just southwest of Centro Habana. It was the kind of rain that sounds as heavy as it looks. The air hung like a thick invisible curtain, and the humidity felt like the residue of a sloppy kiss on your skin.
Once the downpour ceased, photographer Daniel Duncan stepped out onto the street to see a group of kids playing across the street. The overflowing puddles were like miniature oceans, the silver bumpers from nearby parked cars like stationary speedboats. One by one, the kids took turns grabbing hold of a car's bumper and zigzagging as if they were gliding through an open sea.
"It was the wildest thing I'd ever seen," Duncan recalls of the awestruck moment. "I had never seen anything like that before."
The scene is one of many featured in Duncan's first photobook, Portraits of Cuba.
The book, published by University Press of Florida and due out in September, is not your standard book of expertly shot images. The pages feel more like a blend of a documentary and a nonfiction book. Duncan's photos take over the pages, and alongside the colorful visuals is an equally colorful narrative.
"The first time I visited Cuba in 2012, the book wasn't even an idea," Duncan says. "I was just so taken by the rich imagery all around, and I just started taking photographs."
When he returned home to Arizona, he sorted through the photos. An idea for a traditional coffee-table book began to take shape in his mind.
"[The thought] evolved from there into a more solid idea of giving the images and the people of Cuba a voice," he explains.
Duncan then employed the expertise of two of his colleagues from the University of Arizona, Marcela Vasquez-Leon and Dereka Rushbrook, who contributed the written component. Each co-author brings a unique perspective to the table: Vasquez-Leon is an anthropologist, and Rushbrook is a geographer.
"We did a whole series of interviews with Cubans from all walks of life — students, professionals, shopkeepers, educators, medical professionals, journalists — a myriad of people," Duncan says. "We wanted to give Cubans who live on the island a voice and pair it with the images."
Duncan himself visited the island a handful of times between 2012 and 2018 to capture videos and photos. The writing team, on the other hand, contracted with a contact on the island to conduct in-person interviews.
"We didn't want our filter to influence what the [interview subjects] would say," Duncan explains.
Excerpts from the interviews are blended with essays written by Vasquez-Leon and Rushbrook.
"The whole focus of the book has always been to be nonpolitical," Duncan says. "We are just presenting what we saw, what the lens was able to capture, in a photojournalistic way. Our intent was to not take a political stance but to let the Cubans themselves tell their own story."
The photographer's first impression of the island conformed to the notion that Cuba is a place stuck in time.
"The more I went back, it became less of that," he says.
Sure, you have the old-yet-classic cars synonymous with Cuba parked along dirt roads — but many of those same cars, Duncan notes, have wholly new interiors.
"I've traveled all throughout Latin America, and Cuba stands out to me as a totally different country," he says. "The people have shown such a strong sense of resilience. This is a country that we can all learn from in some way, regardless of what your political persuasion is."
Born in Ohio, Duncan spent his formative years in the northeastern part of Brazil before moving back to the States in 1979. Although he now lives in Tucson, Duncan's work on Arizona Public Media's In the Americas takes him all over South and Central America as well as to the Caribbean.
Duncan is working on piecing together his expansive collection of images from northeastern Brazil for his second book. This time, the photographer is focusing his lens on three iconic types of people of the region for a "where the desert meets the sea" theme.
"I have the rural cowboys and the coastal fisherman," Duncan says, "and then there's the distinct experience of the carnival that takes place in northeastern Brazil, which is totally different than what takes place in the south in Rio."
Portraits of Cuba. By Daniel Duncan, Marcela Vasquez-Leon, and Dereka Rushbrook. University Press of Florida. 2020. 240 pages. Hardcover, $34.99.
Keep New Times Broward-Palm Beach Free... Since we started New Times Broward-Palm Beach, it has been defined as the free, independent voice of South Florida, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering South Florida with no paywalls.