Roza was memorable as a tightly wound professional woman in Manhattan being stalked by a would-be suitor. Her emotional range and willingness to explore the character's ugly sides helped turn Rebecca Gilman's issue-driven potboiler into a dark, troubling character study. We've seen Roza before in other psychological dramas, such as Extremities
, where she played a rape victim who turns the tables on the perpetrator, literally and emotionally trapping her tormentor; and in her disturbing performance in Medea Redux
(the title tells you something), one of three plays in Bash
by Neil Labute, where she revealed a simultaneous vulnerability and hardness that made us remember why watching live performances by talented actors is a riveting experience.