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Local Motion: ¡Mayday!, The Noumena, and Vultures Are Wolves

​¡Mayday! The Thinnest Line (Self-released)maydayonline.com  This five-track EP is rife with sexy rhythm and blues, with elements of funky hip-hop and solid live instrumentation behind it. It gives an overall lounge feeling for the casual cool cat that dresses well and knows how to order a drink right. The collective...
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maydaythinnestline.jpg
¡Mayday!
The Thinnest Line (Self-released)
maydayonline.com 


This five-track EP is rife with sexy rhythm and blues, with elements of funky hip-hop and solid live instrumentation behind it. It gives an overall lounge feeling for the casual cool cat that dresses well and knows how to order a drink right. The collective is comprised by Plex, Wreckonize, BernBiz, Primo, LT Hopkins, and Gio, and though thuggy as they might sound, this disc has none of that. This can slide neatly between some Earth, Wind, and Fire and a nice showcase of good early-'90s hip-hop. Live they are pretty good, so check 'em out if you can.

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The Noumena

Demo (Self-released)

myspace.com/thenoumena
 

I actually found this EP on the sidewalk by White Room, picking it up

with the same gusto with which I pick up loose change and crumpled

bills. Although there is a Finnish melodic death metal band with the

same name, this is all local. And here we have a nice quarter-hour of

creepy, semi-computerized beats and what may or may not be household

instrumentation, a capella weirdness, awkward mumbling, detached

vocals, and some industrial-style injections. Young Matthew Noumena

bills himself alone as playing everything. The  end result is

disturbing ditties for depressed readers of poetry. This makes me think

of E.M. Cioran and e.e. cummings.


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Vultures Are Wolves

Vultures Are Wolves (Self-released)
myspace.com/vulturesarewolves


 

This eight-track disc of pure metal mayhem was a most welcome treat in

my inbox. Not the usual arpeggio-laden, "I studied guitar for 15 years

and I wanna get laid" crap here -- this is the real deal. Solid

musicianship from this trio (Alejandro Tuesta on drums, Juan Blanco

vocals and Jorge Ubieta on guitar and bass) sets the band apart. There

are chunky moments, gritty breakdowns, and vocals that go from Satanic

growls to animalistic screams that can also temper when the song

dictates it. And they got a sense of humor too, like on "The River Took

Dee Snider" and "Cancer Tale of the Hyena." That's just precious, baby.

Think a little Converge, a little Cripple Bastards and Japan's Gauze. I

look forward to more!


-- Abel Folgar
 


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