"I stopped performing for 22 years," he explains. "I got burnt out, and I was too dumb to realize I was burnt out. At one point, I was on the road for two years without being home for two weeks. Then later, after I was home for a while, I realized that I hadn't written anything, I hadn't practiced, I hadn't played with anyone. I hadn't touched a guitar. I interpreted that as meaning I was no longer a musician. I didn't want to be one of these guys who drags himself onstage and does a bitter imitation of something he used to love. There are enough of those guys around. They're no fun."
Bromburg then did something most guitar heroes would never consider. He started making instruments himself. "I decided I needed to find something else to do with my life that I would enjoy. The only place I found any intellectual stimulation was in a violin shop. I was fascinated with how some people can look at a violin and tell you where or when it was made. So my first step was to go to violin making school. I did that and I broke up the band. It was a sharp left turn. My career was going upwards, but one of the reasons it was, was because I was working too hard."
Bromberg's return to live performing was precipitated by a series of acoustic jam sessions he organized in his newly adopted home of Wilmington, Delaware, urged on by the city's mayor who asked his help in resuscitating the local arts scene. "Nowadays, my ideal is to go out for three or four days at a time on the weekend and that's it," he insists. "I don't do any gigs I don't think I'll enjoy and I don't go back to any place I didn't like. I don't do any late night club gigs, and to my surprise, I don't need to."