With White Denim, the Dear Hunter
Revolution, Fort Lauderdale
Monday, November 21, 2011
Better than: the Trans-Siberian Orchestra
Manchester Orchestra gives its fans exactly what they want. They just give them too much of it.
The band began its Monday-night show at Revolution by launching into "Pride" and "April Fool" -- a decidedly hang-banging combination for a band with such tender songwriting. The audience flew into a happy riot, and as the frenzy intensified, lead singer Andy Hull interrupted himself to muse, "You know, the one thing that's interesting about a Manchester Orchestra audience... there are some dipshits."
Hull looked into the middle of the all-ages audience, where a mosh pit
had bloomed during the previous song, "My Friend Marcus." Looking at the
moshers, Hull said, "There are small girls who get hurt by your dumb
That may be, but in the moshers' defense, there is
something about the slow tempo of Manchester Orchestra's verses and how
they invariably set up a roaring bridge and chorus: This is mosh bait.
Small girls should keep their heads on a swivel.
For the sake of
its diminutive female fans -- but mostly for this band's prodigious
talent -- Manchester Orchestra would do well to diversify its musical
Because the band has a charismatic lead singer who crafts catchy lyrics and has a distinctive voice -- precious commodities all.
This, combined with Hull's bushy beard, brings to mind Jim James of My
Morning Jacket. Except the band's formulaic sound structure is more My
Hull's youth -- the 25-year-old has been performing since he was 18 --
leaves you wondering whether his early success has made him
less inclined to explore new musical territory or less willing to inject a dash of humor
into lyrics that over the course of an 18-song set accumulate lots of
To be sure, no one in the nearly packed Manchester Orchestra crowd was complaining. It was a blistering performance. But by the show's second half, even this young, devoted audience had become fairly exhausted -- overstimulated by those huge riffs and screaming refrains that followed the relatively methodical verses. If you give the kids candy, they'll be hyper, but a sugar crash is bound to follow.
Random notebook dump: This critic loves Manchester Orchestra's policy on encores: "We're in this weird stage where we're anti-encore," said Hull, after about 14 songs. "And so we're going to play four more songs, and then we're just going to go." Which is exactly what they did, letting the curtain fall after their last song, ignoring the crowd's chant for "One! More! Song!"
The crowd: Mostly in their early 20s, and given the economy these youngsters inherited, who can blame them for finding a kindred soul in the sensitive but royally pissed-off Hull?
Personal bias: The Austin-based opening act, White Denim, owns a gorgeous song, "Street Joy," that was barely discernible over the incessant chattering of the Manchester partisans. Which is a shame, because this could have been the highlight of the entire show.
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