Follow its decade-long indie-rock career and it's easy to track Quasi's constant evolution -- each release is an improvement on its predecessor. Hot Shit proves Coomes right: It's Quasi's most triumphant release to date, revealing the duo as the talented producers they've become since 2001's The Sword of God. Quasi brought a newfound confidence into the studio for Hot Shit, resulting in an album fed by well-placed soundtrack-like arrangements and dizzying spacey effects. Furthermore, it finds Coomes, who often favors keyboards, opting to place his guitar skills front and center, dirty and loud. Musing fantastical and prolific lyrics, each song radiates a different glow, whether it's blues and folk on "Master & Dog," Radiohead-like desperation on "No One," wartime politics on "White Devil's Dreams," or the upbeat carefree rock 'n' roll of "Good Times." In the process of letting go, Quasi has found room for growth and made an irreplaceable album in the process.