- Local
- Community
- Journalism
Support the independent voice of South Florida and help keep the future of New Times free.
It finally happened, and it took only five years. Tortuga Music Festival, selling out once again, set a record for attendance this past weekend. More than 100,000 people filed through the gates of the country-music beach party. Held annually on Fort Lauderdale Beach since its inception in 2013, the fest this year featured headliners Luke Bryan, Chris Stapleton, and Kenny Chesney. In short, Tortuga is big.
Maybe too big.
Opinions vary on the subject. Some fans in attendance were overwhelmed by the crush of people, while others were as sunny as the weather, proclaiming everything to be perfect. Like the gulf of sand separating the two stages — Tortuga and Sunset — a vast space placed newcomers and veterans on opposing ends of this spectrum.
One reoccurring positive comment was the cleanliness of the fest. This is a well-deserved compliment that’s due to Tortuga’s commitment to solve, rather than contribute to, the problem of beach and water pollution. After all, Rock the Ocean (RTO) is an ocean conservation organization; its partnership with the hard-working people of Clean Vibes ensures RTO's promises aren’t false or a simple PR smokescreen. If only other festivals were as equally focused on the environment’s health and sustainability.
But many fans who attended Tortuga in previous years say the 2017 fest was just a bit too much. The irony is that for the first time, the festival scaled back to just two stages — three if you count the small area near the south entrance that hosted a DJ and a mock pirate ship (which occupied the basketball court that was used for food trucks at this year's edition), but that hardly counts in comparison.
Gone was the stage set aside for alternative and up-and-coming acts that last year saw amazing sets by Elle King, Muddy Magnolias, and Sam Hunt. This year, rotating between the two main setups meant great migrations of people from show to show. Like a drunken herd of stumbling, (mostly) hairless buffalo seeking food in the winter, fans crisscrossed the sand in giant bunches, making it difficult for anyone lost in the rear of the pack to see anything up front. Additional stages once helped to break up the crowd into more manageable groups; now the fest is prone to suffering from claustrophobic clusterfucks.

That being said, early birds were privy to some truly excellent concerts.
Friday’s standouts include Delta Rae; Jordan Davis, who nailed a rowdy, honky-tonk version of Johnny Cash’s “Folsom Prison Blues”; and Darius Rucker, who, proudly donning a Miami Dolphins cap, played nothing but the hits, including a few Hootie & the Blowfish classics. He even squeezed in a Prince tribute at the end with “Purple Rain."
Brett
Perhaps the most interesting performance was Nelly on the Sunset Stage. He was, by far, the odd duck of this year’s lineup, and damn near the entire festival came out to see him. The have-nots in the rear of the crowd had two-thirds of their view of the stage blocked by a cocktail stand. Thankfully, the giant screens on either side of the stage clued in those not fortunate enough to be in the VIP or Super VIP sections (which required passes that, given the current size of Tortuga, seem totally worth the price of admission). Nelly sounded mostly fine, with the exception of “Country Grammar (Hot Shit),” when everything within earshot — Nelly’s voice, the sound of the waves, the voices in our heads — was drowned out by bass.

Two of the best shows benefited from excellent sound quality and topnotch talent. Following Nelly’s
If Morris is the new face of

Aside from the music, Tortuga is always bursting with other distractions: unparalleled people-watching, college party games arranged by a litany of sponsors, and clever new ways to get drunk. For example, Corona had volunteers roaming the grounds with beer-can-shaped backpacks that dispensed cold brews on the go. The packs made the volunteers looks like Ghostbusters who, instead of taking down angry spirits, tackled sobriety.
Once again, America, or at least American-themed clothing, was a big winner at Tortuga. It’s impossible to calculate whether Tortuga fans love this nation more than anyone else, but they sure as shit spend a healthy amount of money on anything with stars and stripes.

Just as in years past, there was no shortage of exposed skin. It presented an excellent marketing opportunity. Many women decorated their assets with temporary turtle tattoos, a branding win for Tortuga.
Speaking of fashion, or lack thereof, although it's a beach festival, Tortuga is urban enough in its proximity to the city that in addition to flip-flops and bare feet, cowboy boots and even high heels were acceptable footwear. This was mostly true for latecomers interested only in the evening’s marquee names.
Tortuga celebrates the simple life: slowly baking in the sun, marinating in beer, and enjoying America’s biggest country music acts. It’s an experience worth digging a trench and comfortably settling into your cozy patch of
During his set Saturday afternoon, just after knocking out a pair of Blink-182 covers, Dustin Lynch remarked, “
It’s a combination that continues to reel in artists and attendees alike, as well as draw fresh fans. One group of newcomers from Tampa said the lineup was the principal reason for making the drive: “They [Tortuga] killed it.” In addition, Fort Lauderdale Beach is a gorgeous setting that feels like a destination vacation, especially when coupled with a large-scale music festival. Tortuga has its flaws, but for all of the above reasons and more, it's still one of the best music events in the nation.
Keep New Times Broward-Palm Beach Free... Since we started New Times Broward-Palm Beach, it has been defined as the free, independent voice of South Florida, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering South Florida with no paywalls.