Trying to catch up with Ubiera is nearly impossible. He's usually out burning up hours spray-painting walls. The Dominican-born street artist has painted murals inside the International Fort Lauderdale-Hollywood Airport, inside the Evernia Parking Garage in West Palm Beach, at Delray's El Camino Cocina and Tequila Bar, and at Miami's Wynwood Brewery, just to name a few. Ubiera describes his style as "postgraffism," a genre that grew out of graffiti and includes nods to graphic design, comic books, and typography. Many of his designs incorporate a gorilla with a wild and fierce face. For Ubiera, the gorilla signifies urban art: a movement that's bold, strong, and raw.

Nowadays, anyone with an Instagram account can claim to be a photographer. But Samantha Salzinger goes beyond using slick editing filters when snapping photographs. She actually constructs the environments she shoots. The Yale MFA graduate and associate professor of art at Palm Beach State College makes large-scale dioramas with her hands. She'll spend hours sculpting materials into landscapes, plush with trees and hills and eerie Mars-like grounds void of life. With a meticulous attention to lighting and detail, she'll take her camera and shoot. The resulting photographs appear to capture realistic landscapes; it often takes viewers a while to grasp that they're interacting with a fabricated world.

Jill Slaughter, a San Francisco Art Institute-schooled and Whitney Museum-awarded scholar, brings a creative vision to suburban Pembroke Pines. As the city's curator of special projects, she puts on shows year-round at Studio 18. Many of these have serious themes — in "Which Way Out," she explored LGBT coming out of the proverbial closet; in "The Sincerity Project," she showed works by autistic children — but she made us crack a smile last year when she enlisted artist Todd Brittingham to "face-bomb" her city by gluing cartoonish smiley faces onto buildings and trees.

There's plenty of money around these parts, and damned little of it makes its way into the hands of local artists. That's the bottom line on patronage. But no one around here makes more scrilla trickle down to our peeps than Elayne and Marvin Mordes, collectors of avant-garde work. Passionately contemporary, Elayne is the couple's more public face, the effervescent hands on the operation; Marvin, a highly regarded neurologist, is the quiet presence in the background. Their home base is an 11,000-square-foot former dental laboratory on the shores of Lake Mangonia, in West Palm Beach, half of it now the private museum Whitespace; the other, their home. In the four years since it opened, Whitespace has employed scores of local young and emerging artists as curators, handlers, photographers, and assistants of all sorts and introduced their work to the public through an annual cycle of shows — especially the Outside the Box biennials, where the art encircles the building and spills over onto the lawns along the lake shore. More than a few locals have their work on sale in the Whitespace gift shop; a more select number have seen their pieces end up in the couple's loft-like living area — a nice place to be when the Mordes' sophisticated friends stop by.

If you have your eyes open on a semiregular basis, you probably know that Lake Worth has become a mecca for local shows and music festivals. One man behind one venue is doing his due diligence to maintain the esoteric identity of Lake Worth while creating his own scene within it. That man is Jacques de Beaufort, and his gift to the world is Unit 1. The mission of the space is "to showcase artists in all media working in challenging forms that exist somewhere near the edge or beyond." De Beaufort's immensely interesting and themed events feature local art on the walls and local musicians in your face. One included a clothing-optional room and naked karaoke. ("All art, no pants," the invite teased.) The place is small, the people who go are weird, and the live music is fierce. Go with an open mind, because Jacques likes it strange.

It wasn't the biggest or the glitziest art exhibit last year — and "big" or "glitzy" would have been completely out of place in the industrial Boynton Beach Arts District anyway — but "(Un)Common Traces," featuring the work of four members of art collective Dwelling Projects, was far and away the scrappiest and most spirited. Spread throughout three bays of the BBAD compound, the photography, video, pen-and-ink, watercolor, charcoal, and fiber assemblage drew inspiration from the artists' recent visit to Ecuador, where they spent a month immersed in the Andean nation's artistry and culture. Their work plays on themes of spirituality, nature, landscape, travel, work, and the commodity economy, overrunning boundaries and commenting one on the other. For building bridges among cultures and among South Florida arts communities, "(Un)Common Traces" was unmatched.

Every few months, curator Jane Hart presents a new show, and every time, she hits the mark in quality. This past year, we saw "Rugs," a series of large tapestries hand-sewn from pieces of teddy bears by Miami artist Agustina Woodgate. Francesco Lo Castro showed his genius with "Advent," a cutting-edge geometric painting collection. And we got our comic fix when 70 original strips by the legendary Charles M. Schulz went on display in "Pop Culture in Peanuts." Visual arts aside, quality also marks the center’s arts programming, from education for kids and adults to live stage shows to artist talks like the recent Hot Topics series.

In that series, four contemporary movers and shakers in the art world gave talks. Among them, Wayne White spoke about his installation work on television and in music videos. He's had stints at Pee-Wee's Playhouse, did art direction for Peter Gabriel's 1986 hit "Big Time," and designed the set for Smashing Pumpkins' "Tonight, Tonight." Much respect to this little contemporary gallery that makes big waves.

Thank the queer deities for South Florida! There are few spots on this Earth where two dudes or two ladies starting a life together is about as everyday as a man and a woman getting hitched and subsequently divorced — and southeastern Florida, friends, is one of them. That's why Fort Lauderdale is the fieriest place in the world to preserve and share knowledge on LGBT culture and its place in American society. That's exactly what Stonewall National Museum and Archive does with thoughtfulness and pizzazz. It all started in the '70s with then-FAU student Mark Silber hoarding books at his family home in Hollywood. And today, it has two locations filled to the brim with gay info — the Fort Lauderdale Branch Library/ArtServe building and a new gallery in Wilton Manors. It hosts unusual exhibitions like "Dear Abby: Letters and Advice on Homosexuality" and photographer Jeff Larson's "Men in Living Rooms," who were scantily clad in their homes. The collection includes more than 25,000 books, a thousand DVDs, and 5,000 archival objects, such as the gavel Nancy Pelosi pounded when ending "Don't Ask, Don't Tell." But there's a lot more to do than gaze at stuff: The lively schedule included a gala with Megan Mullally of Will and Grace this year, and the community is welcome for movie nights, author series, discussion groups, and more.

When Maker's Square opened its doors late last year, Fort Lauderdale got its coolest tool shop. The venue doubles as a social club for would-be "makers," a movement of DIY artisans who adore tools. Memberships follow a gym business model: Sign up and use any tool from the $100,000 collection. Make arduino robots here! Or sew up a cosplay outfit! Weld car parts together, whatever — make amazing things with your hands. Also, the facility boasts sweet-ass events with a bohemian, educational, and welcoming atmosphere. Tuesday nights, come for tacos and TedX talks projected on a huge outdoor screen. Workshops occur weekly, and circus music is often blared from the speakers. But arguably the greatest event that Makers Square has hosted to date — when attendees could really let their freak flags fly — was "The Love Burn," a Burning Man-inspired event that took place over Valentine's Day weekend on Virginia Key.

Just a few short years ago, the area now known as FAT Village — short for Flagler Arts and Technology — was a no-man's-land just east of Maguire's Irish Pub. There wasn't much to see and even less to do. Sure, there were some artists toiling in little warehouse studios and a few graphic arts companies churning out their art in obscurity, but you had to be a real inside member of the hyperlocal art community to even know they were back there. Anyone living outside of downtown would say, "Art scene? You mean those chichi galleries on Las Olas?" Pause and appreciate how far the area has come in such a short time. The monthly art walk is largely responsible for that growth. Helium Creative, the World and Eye Arts Center, Cadence Landscape Architecture + Urban Design, the annual Day of the Dead Celebration, and C&I Studios are just a few of the well-known denizens of this scene. C&I Studios has even put in a coffee shop next door called Next Door. From 7 to 11 p.m. on the last Saturday of each month (except December), the galleries throw open their doors, the food trucks line up, and the crowds gather. About 1,000 people descend on the gritty, gravelly area by the railroad tracks. You bump into people you haven't seen in a while, admire some out there art, find some inspiration, pet some dogs, and visit the pop-up galleries, all within four square blocks.

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